Singing concert – Barbora Petruniaková, Barbora Berkyová, David Ronn

Program: Antonio Caldara (1670–1736): La costanza in amor vince l’inganno Aminta’s aria from Act 1, “Selve amiche, ombrose piante” Antonio Caldara (1670–1736): Come raggio di sol Henry Purcell (1659–1695): Sweet, be no longer sad, Z. 418 Henry Purcell (1659–1695): More love or more disdain I crave, Z. 397 Henry Purcell (1659–1695): Strike the Viol Aria from the Birthday Ode for Queen Mary, *Come, ye Sons of Art, away*, Z. 323 Antonín Dvořák (1841–1904): Hear, O God, My Cry, Op. 99, No. 6 (from the cycle *Biblical Songs*, based on the text of the Kralice Bible, Psalm 55) Wolfgang Amadeus Mozart (1756–1791): The Magic Flute (*Die Zauberflöte*), K. 620 Papageno’s aria from Act 1, “Der Vogelfänger bin ich ja”; duet of Papageno and Papagena from Act 2, “Pa-pa-pa-Papagena!” Antonín Dvořák (1841–1904): Love Songs (*Písně milostné*), Op. 83 – selection 1. The longed-for happiness does not bloom for our love; 2. In many a heart, all is dead; 4. I know that in sweet hope; 8. O Precious, Unique Soul George Frideric Handel (1685–1759): Orlando, HWV 31 Aria of Dorinda, “Amor é qual vento” Wolfgang Amadeus Mozart (1756–1791): Exsultate, jubilate, K. 165 “Tu virginum corona” (Andante) George Frideric Handel (1685–1759): Alcina, HWV 34 Aria of Morgana from Act I, “Tornami a vagheggiar” Giuseppe Verdi (1813–1901): Rigoletto Aria of Gilda from Act II, “Tutte le feste al tempio” Benjamin Britten (1913–1976): Songs from the cycle *On This Island*, Op. 11 No. 1, “Let the florid music praise!”; No. 4, “Nocturne” Wolfgang Amadeus Mozart (1756–1791): Così fan tutte, K. 588 Tercettino for Fiordiligi, Dorabella, and Don Alfonso from Act I, “Soave sia il vento”