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in a new Irish-language translation that puts a distinctly contemporary spin on one of theatre's most famous stories about class, language and identity. Just as Eliza Doolittle's accent determines how the world sees her in Pygmalion (and its much-loved musical adaptation My Fair Lady), Pygmalion 26 asks: who gets to claim Irish as their own? Readers are advised to check with the venue before relying on the details published here.

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